千僖兒童舞團

新加坡芭蕾舞團Singapore Dance Theatre將首次來台甄選舞者

由現任藝術總監

Artistic Director of Singapore Dance Theatre Mr.Janek Schergen 親自甄選

時間： 8/7 (日)晚間19:00

地點： 板橋 國立台灣藝術大學舞蹈系

報名方式:事先報名

場地清潔費：新台幣300元整

甄試資格:年滿17歲以上男女舞者,女生需著硬鞋。

熱愛芭蕾表演藝術，有意願至國外職業舞團工作者。未成年者需徵得家長同意方可參加甄選喔！！

報名表下載處 (或留下您的email索取報名表)
http://www.fileden.com/files/2009/2/21/2331899/2011%20SDT%20Form%20English.doc

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Janek Schergen 大師課 共兩堂
(總監的名字發音接近是 e-Ya-ne-k  , 不是janet喔)

場地清潔費用:每堂800元(可合併Marat老師大師課優惠)

注意!!這兩堂課，不分齡，請以程度挑選適合您的課程

8/6 (六)晚間 19:30~21:00 需有學習硬鞋三年以上經驗

8/7 (日)下午 16:00~17:30 芭蕾大師課,了解芭蕾術語者即可參加

請來信索取報名表

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Singapore Dance Theater官方網站

http://www.singaporedancetheatre.com/

新加坡舞團1988由Anthony Then 爵士與 Goh Soo Khim女士創立,

目前擁有32位舞者,是由國家與民間共同贊助的舞團。

新加坡舞團表演舞碼範圍從古典到現代芭蕾，演出著名編舞家如吳秋散（譯音）， 巴蘭欽，

讓保羅Comelin， 納喬Duato， 依利。基利安，Ohad Naharin，Edwaard梁，格雷厄姆勒斯蒂格，

BOI Sakti， 斯坦頓韋爾奇，埃德蒙條紋和瑪麗 - 克勞德 等作品。

演出整幕芭蕾劇,胡桃鉗，葛蓓莉婭，灰姑娘，吉賽爾，蝴蝶夫人，仙女，羅密歐與朱麗葉，天鵝湖，睡美人和許多當代作品。

The Singapore Dance Theatre (SDT) was founded in 1988 by Goh Soo Khim and the

late Anthony Then. Under the directorship of Goh Soo Khim, SDT has developed

into a premier professional dance company that has grown from seven to 32

dancers. Over the years, The Company performs five to six seasons, including the

The Company’s repertoire ranges from classical to contemporary ballet, from

renowned choreographers and staging directors like Goh Choo San, George

Balanchine, Nacho Duato, Jiri Kylian, Stanton Welch, Marie-Claude Pietragalla,

Thierry Malandain, Mauricio Wainrot, Val Caniparoli, and Graham Lustig, David

Under the leadership of Artistic Director, Janek Schergen, the Company is

poised for new achievements in the international and Singapore dance arena.

Janek is also the Artistic Director of the Choo-San Goh & H. Robert Magee

Foundation which oversees the licensing and production of Choo San Goh's ballets

SDT also actively reaches out to the public to create greater awareness of

dance through outreach to schools with our Arts Education Programme (AEP), Dance

Appreciation Series (DAS) jointly presented with Esplanade Co., and One@The

Ballet – a new initiative to help public gain more understanding about life as a

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新加坡芭蕾舞團藝術總監 Singapore Dance Theatre -

Janek Schergen 簡歷

1971年加入加拿大Royal Winnipeg ballet,隔年在Barbara Weisberger and Benjamin Harkarvy兩位大師的邀請下加入美國費城的賓州芭蕾舞團長達11年,並開始在賓州芭蕾舞團學校授課,並且為賓州芭蕾舞團及其他舞團擔任舞碼排練指導。

1981年在華盛頓芭蕾舞團藝術總監Mary Day及舞團駐團編舞家Choo San Goh的邀請下,開始擔任客座芭蕾教師， 之後正式加入舞團擔任排練指導，與舞團巡演亞洲歐洲南美洲世界各地，

1988年 擔任斯德哥爾摩瑞典皇家芭蕾舞團藝術指導與Ballet Master。

期間為指導許多由代表著英國皇家芭蕾舞團風格的知名編舞家Sir

Frederick Ashton and Sir Kenneth MacMillan編撰的全幕古典芭蕾舞劇作品-天鵝湖，睡美人，黑暗王國等

1991年他完成在英國倫敦Benesh Movement Notation學位

同年開始擔任美國匹茲堡芭蕾舞團排練指導，

演出世界知名芭蕾編舞家喬治巴蘭欽John Cranko ，MacMillan，以

及他所編排的睡美人Beauty for Ballet Met

(1994), The Milwaukee Ballet (1995), Pittsburgh Ballet Theatre (1996, 2000,

2005) Pennsylvania Ballet (1997, 2002) and the Norwegian National Ballet

(2006).

1994-1997年Janek先生擔任那士維爾芭蕾舞團藝術總監同時擔任該校校長

1997-2002年指導與任教於Inland Pacifi，

Ballet Pacifica舞團與芭蕾舞學校

他是Choo-San Goh and H.Robert

Magee 基金會的董事,在14年中,給了72個獎項,提供超過三千萬台幣給全世界的編舞家編作新的舞碼.

2002-2006 年Janek先生擔任Norwegian National Ballet 的藝術指導及老師,並且負責舞團全幕古典芭蕾(天鵝湖,睡美人,灰姑娘,馴悍記)及現代芭蕾(巴蘭欽)的排練.

2007年邀請待任新加坡舞團藝術總監,並成功的讓舞團獲得前所未有的好評.

2011年擔任日本芭蕾大賽評審

Janek Schergen is from Göteborg, Sweden. He studied ballet with Richard Ellis

and Christine Du Boulay of the Sadlers Wells Ballet, and continued at the

American Ballet Center and the Harkness House for Ballet Arts in New York. In

1971 he joined the Royal Winnipeg Ballet and the following year became a member

of the Pennsylvania Ballet in Philadelphia, under the directorship of Barbara

Weisberger and Benjamin Harkarvy, spending 11 years with the Company. In 1978,

under the guidance of Mr. Harkarvy and Lupe Seranno, he began teaching in the School

of the Pennsylvania Ballet. In addition to maintaining his career as a dancer

and teacher, he began staging the works of Mr. Harkarvy for Pennsylvania Ballet

and other companies.

In 1981, he was invited by Mary Day, the Director of Washington

Ballet and Choo San Goh, the Company's Resident Choreographer, to guest teach

for the Washington Ballet. He joined Washington Ballet in a full time position

as ballet master and teacher and toured with the Company through the Far East,

Europe and South America, as well as the United States.

In 1988 he was invited to be ballet master and Company Teacher

for the Royal Swedish Ballet in Stockholm, rehearsing full-length classics such

as Swan Lake, Sleeping Beauty, and La Bayadere, as well as works by Sir

Frederick Ashton and Sir Kenneth MacMillan. In 1991 he completed his studies in

written dance notation in London, receiving his certification in Benesh

Movement Notation.

In 1991 he became a ballet master for Pittsburgh Ballet Theatre

where he rehearsed the full length classics and important additions to the

repertoire such as MacMillan's Elite Syncopations, Lynne Taylor-Corbett's Great

Galloping Gottschalk, John Cranko's The Taming of the Shrew and Balanchine's

Apollo, Ballet Imperial, Serenade, Allegro Brillante, Concerto Barocco, Theme

and Variations as well as others in the repertoire. He has staged his own

production of The Sleeping Beauty for Ballet Met (1994), The Milwaukee Ballet

(1995), Pittsburgh Ballet Theatre (1996, 2000, 2005) Pennsylvania Ballet (1997,

2002) and the Norwegian National Ballet (2006).

In January, 1994 he was appointed Artistic Director of the

Nashville Ballet, as well as Director of the company's School. He remained with

the organization for three seasons. From 1997 to 2002 he taught Company and

School classes for Ballet Pacifica as well as Inland Pacific Ballet.

In addition, as Artistic Director and a Board Member of The

Choo-San Goh & H. Robert Magee Foundation, he continues to stage the works

of Mr. Goh for various companies in the United States, Canada, Europe, South

Africa and the Far East. He has staged more than 120 productions worldwide. He

is the Chairman of the Awards Committee for the Choo-San Goh Awards for

Choreography which annually gives out choreographic grants to such organizations

as Het Nationale Ballet, Limon Dance Company, San Francisco Ballet, Paul Taylor

Dance Company, Houston Ballet, Hubbard Street Dance Chicago, Pacific Northwest

Ballet, Rambert Dance Company, Pilobolus, New York City Ballet and many others.

In the past 14 years 72 Awards have been made and more than $750,000 has been

dedicated to the creation of new works of choreography through the efforts of

the Foundation.

Since the establishment of the Singapore Dance Theatre in 1988

he has been staging the ballets of Choo San Goh for the Company's repertoire.

To date he has staged thirteen works for them and in December 2000 mounted the

full length Romeo and Juliet for the Company. At the request of SDT he was

asked to author a monograph on the career and ballets of Choo-San Goh. The

book, with his text, was published in Singapore in September,1997.

From 2002-2006 he was ballet master and staff teacher of the

Norwegian National Ballet in Oslo. He was responsible for rehearsal of many full

length works ( Swan Lake, Othello, Cinderella, Taming of the Shrew, Onegin,

Sleeping Beauty) in addition to contemporary works and the most recent

Balanchine repertoire including Symphony in C, Agon, Serenade and Four

Temperaments. The production he created of Tornerose for NNB was broadcast on

NRK television in December 2006.

In June 2007, he was appointed Artistic Director of

Singapore Dance Theatre. He staged all of the ballets for the September 2007

season, The Legacy of Goh Choo San, and was responsible for making it one of

SDT's most successful seasons in recent years.